At first we collected pictures of teenage girls and location images of London and places around where we would be carrying out our filming. We placed these in the book in a unorganised manner to allow the aspect that our killer is obsessive about these things compared to his fairly neat and organised outfit and surroundings.
We were to film these on the killer's lap whilst he is in his house to try and show a comparison between the neat room and the book. We also decided that we needed to re-shoot our Polaroid pictures as the mise-en-scene on the original footage was too basic and not as detailed as our other locations' mise-en-scene and so we thought into making them more effective and detailed. I took the killer's book and wrote different words, multiple times on one page of the book in a scrawly, rushed handwriting to make it in parallel with the rest of the unorganised book.
This made the book look a lot more believable and also added to the mise-en-scene of the Polaroid shots. To keep in line with this I also scribbled in the places on the teenage girl page to make it look scruffy and also wrote different London location names on the other page in the same handwriting to also connote to the obsessive behaviour of the killer.
